Japanese Antique Sake Bottle Tokkuri Iron Glaze Shinshu Mingei Edo Era Vase

$165.00
$165.00 $0.00
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Description

■ Description A. Introduction This is a powerful piece of Japanese folk pottery (Mingei) from the Edo Period. Originating from the Shinshu region (Nagano Prefecture), this stoneware bottle (Tokkuri) features a robust form and a deep, lustrous iron glaze. It is a perfect example of the functional beauty advocated by the Mingei movement.

B. Region & Style (The "Mystery" Kiln)

  • Origin: Shinshu (Nagano, Japan). While the exact kiln is unidentified (possibly Seba, Matsushiro, or a local village kiln), it carries the distinct DNA of Shinshu pottery.

  • Style: It features the characteristic Iron Glaze (Tetsu-yu), ranging from deep black to amber brown. The ribbed neck (horizontal grooves) is not only decorative but functional, providing a secure grip when pouring sake.

  • Keywords for Collectors: If you appreciate the rustic aesthetic of Tamba, Seto, or Mashiko wares, you will love the rugged authenticity of this piece.

C. Features & Aesthetics

  • The Glaze: The bottle is coated in a thick, rich glaze. Notice the beautiful "curtain" effect where the glaze flows.

  • Texture: There is a distinct unglazed or thinly glazed patch on the body, adding a tactile contrast and a "Wabi-sabi" highlight to the design.

  • The Foot: The unglazed base reveals a reddish-brown, iron-rich clay, typical of the volcanic soil in the Nagano region.

D. Usage & Decor Ideas

  • Flower Vase: Its narrow neck and stable base make it an ideal "Ichirin-zashi" (single flower vase) for wild grasses or branches.

  • Sake Server: Can still be used as a traditional sake decanter for special occasions.

  • Interior Decor: A stunning rustic accent for a farmhouse, modern, or Zen-inspired room.

E. Size & Weight

  • Height: (Please measure and insert height here, e.g., approx. 25 cm)

  • Width: (Please measure and insert width here)

  • Weight: (Please insert weight here)

F. Condition Condition: Antique / Edo Period

  • General: Good antique condition with signs of age and use.

  • Surface: There are natural kiln flaws, glaze skips, and surface irregularities that are inherent to handmade folk pottery of this era. These are not considered damage but rather "landscapes" (Keshiki) of the piece.

  • Bottom: The foot shows wear consistent with centuries of handling.

G. Conclusion A rare survivor from the Edo period. This Shinshu bottle possesses a quiet dignity and strong presence. It is a must-have for collectors of Japanese folk ceramics or Mingei.



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